The World at Work
Japanese at Work


audio

print (pdf)

 

global stories home

coursebooks

The World at Work

Travelers' Tales

other readers

experience learning

learning links

about us

contact

 

Japanese at Work

Koreans at Work

Thai at Work

Vietnamese at Work

SE Asians at Work

Malaysians at Work

Taiwanese at Work

Chinese at Work

Mongolians at Work

Expats at Work

Students at Work

 

Matsuoka Fukiko, 49
Kimono Teacher from Kumamoto

Why did you want to teach kimono?
It comes from my interest in the sado (tea ceremony). The kimono is necessary for it. I was always fond of my mother’s kimono and hated to see it just hanging in the closet. It was from the Meiji Period and was made of silk. It’s the same for many of my friends--they know of beautiful old kimonos just gathering dust. I feel that the kimono has both cultural and historical significance. Young women now are losing that cultural identity. I want to help preserve it.

Could you tell me about your training?
I studied for 13 years at a dress school in Kumamoto. I got my license after five years. I’ve been studying sado for eight years now. Someday I want to teach it.

What is teaching kimono all about?
Western clothes, you see, are made to fit the chest, hips and rear; whereas kimono are meant to hide all body shapes. Towels are stuffed underneath, for example, to present a flat shape. During class, I first show how to put on the underwear. They are tied with a belt. That takes five minutes. For the kimono to fit properly, many adjustments are necessary--a pull here and a tug there. We practice putting one on several times in the one hour class. There are detailed rules for what type of kimono to wear according to the woman’s age. There are formal and informal kimono. Also, kimono styles have subtle differences in each region of the country. I explain how to bow, stand and sit when wearing kimono. Finally, I give explanations about the materials and dyes used in making a kimono.

How much do the lessons cost?
For beginner-level classes--once a week for six months--the fee is ¥20,000. At this level, a student learns how to dress herself. The fees rise at the intermediate (learning to dress others) and advanced level (earning a license).

What about the future?
I’m more interested in sado actually. It’s so deep. I’m studying The Book of Tea now. We learn to give up living a luxurious or complicated life. Living a simple life is best. Sado is about learning to concentrate and calm the mind. It takes a long time to improve concentration. People today are too busy. I don’t want future generations to forget these important parts of Japanese culture.

the end

This interview was originally published in Kansai Time Out magazine.

 Japanese at Work

Temple Abbot

Concert Pianist

Innkeeper

Fishermen

Spinach Packager

Soybean Farmer

Beekeeper

Flight Attendant

Tarot Card Reader

Kimono Teacher

Social Worker

NGO Worker

Hotel Clerk

Traditional Sweets Chef

Telemarketer

Environmental Specialist

Restaurant Manager

Taxi Driver

Motorcycle Shop Owner

Jazz Bar Owner

Coffeeshop Owners

Nightclub Owner

Psychiatrist

Doctor/Researcher

Nursing Mother Specialist

Zoo Vet

Writer/Filmmaker

NGO Consultant

Homeless NPO

Road Worker

Magazine Vendor

Car Counter

House Cleaner

Cardboard Collector

Ex-Deli Worker

Tofu Maker

Craftswoman

Craftsman/Fisherman

NGO Consultant

Homeless NPO Worker

"Slow Food" Promoter

Pyramid Marketer

Factory Worker